If you're
making a film about multiple murders, powerful and heavily armed drug dealers,
folks on the run from both sides of the law, and the world's most celebrated
porn star, you'd have to work pretty hard for the results to be uninteresting,
but for better or worse Wonderland manages that remarkable achievement.
Based on the true story of John C.Holmes — the adult film star best known
for his performances in the Johnny Wadd films as well as his freakishly
large penis — and his involvement in the brutal murders of four people
in an apartment on Los Angeles' Wonderland Avenue, Wonderland tells its
tangled tale as if the audience is already richly familiar with all of
the elements of the story. Consequently, the characters are poorly drawn
and the story sketchy and often puzzling. Holmes' career as a porn star
is barely mentioned, and without this subtext, Kilmer's portrayal is ultimately
that of an extraordinarily wasted basehead, and it's all but impossible
to imagine anyone wanting anything to do with him without the lure of his
fame. The background, motives, and relationships of most of the characters
are a mystery — the film never clarifies that Holmes never got around to
divorcing his wife after their relationship went south, so it seems odd
that Holmes has both a girlfriend, Dawn Schiller (Bosworth), and a spouse,
Sharon Holmes (Kudrow), especially since the two women seem to be good
friends. While Kilmer and Kudrow both do well with poorly written roles,
most of the cast has practically nothing to work with — several gifted
performers are practically tossed away, especially Tim Blake Nelson, Eric
Bogosian, Ted Levine, and Janeane Garofalo, the latter of whom gets exactly
one line of dialogue in the final cut. Furthermore, the film never seems
to know just when it's taking place, desperately aiming for a '70s ambience
even though the story takes place in the early '80s. Wonderland begs comparisons
with Boogie Nights, which told a fictionalized version of Holmes' rise
and fall, and Wondrland director Cox lifts more than a few stylistic elements
from Paul Thomas Anderson's film. But, while Cox had a sad and compelling
true story at his disposal, the results are flat and uninvolving, telling
us almost nothing about Holmes or his fall into addiction and desperation,
while Boogie Nights made "Dirk Diggler"'s life both tragic and telling.