Animal House (1978)
aka: National Lampoon's Animal House

sex comedy

directed by : John Landis
featuring : John Belushi - Tim Matheson - John Vernon - Verna Bloom - Tom Hulce
running time : 1 hour 49 minutes
Director John Landis put himself on the map with this low-budget, fabulously successful comedy, which made a then-astounding $62 million and started a slew of careers for its cast in the process. National Lampoon's Animal House (referred to by most people as Animal House) is set in 1962 on the campus of Faber College in Faber, PA. The first glimpse we get of the campus is the statue of its founder Emil Faber, on the base of which is inscribed the motto, "Knowledge is good." Incoming freshmen Thomas Hulce and Stephen Furst find themselves rejected by the pretentious Omega fraternity, and instead pledge to Delta house. The Deltas are a motley fraternity of rejects and maladjusted undergraduates whose main goal seemingly accomplished in part by their mere presence on campus is disrupting the staid, peaceful, rigidly orthodox, and totally hypocritical social order of the school, as represented by the Omegas and the college's dean, Vernon Wormer (John Vernon). Dean Wormer decides that this is the year he's going to get the Deltas expelled and their chapter decertified; he places the fraternity on "double secret probation," and, with help from Omega president Greg Marmalard (James Daughton) and hard-nosed member Doug Neidermeyer (Mark Metcalf), starts looking for any pretext on which to bring the members of the Delta fraternity up on charges. The Deltas, oblivious to the danger they're in, are having a great time, steeped in irreverence, mild debauchery, and occasional drunkeness, led by seniors Otter (Tim Matheson), Hoover (James Widdoes), D-Day (Bruce McGill), Boon (Peter Riegert), and pledgemaster John "Bluto" Blutarsky (John Belushi). They're given enough rope to hang themselves, but even then manage to get into comical misadventures on a road trip (where they arrange an assignation with a group of young ladies from "Emily Dickinson University"). Finally, they are thrown out of school, and, as a result, stripped of their student deferments. They decide to commit one last, utterly senseless slapstick act of rebellion, making a shambles of the town's Founder's Day parade, and, in the process, getting revenge on the dean, the Omegas, and everyone else whose ever gone against them. Not everything in Animal House works, and the racial implication of the scene in the Dexter Lake Club seems disturbing assuming one takes any of this seriously at all but overall, it was one of the funnier movies of the 1970s, and the first big studio comedy  aimed specifically at collegiate and teenaged audiences. Thus, it started a cycle of movies that encompassed everything from Fast Times At Ridgemont High (1982) and Revenge Of The Nerds (1984) to Legally Blonde (2001) and Slackers (2002). Animal House was also among the first feature films not built around a musical subject to garner some of its appeal by loading its soundtrack up with period hits, all played just prominently enough in the background and woven well enough into the action to attract the notice of audiences without distracting them and then it made a small fortune for the record division of its studio by selling the soundtrack album. In that sense, it followed the lead of George Lucas' American Graffiti, and did it one better, limiting itself to a single disc's worth of songs. Central to most audiences' enjoyment, however, was Belushi's performance as Bluto, the fraternity's most dedicated drinker and most enthusiastic member, seven years an undergraduate and with no prospects of completing a B.A. His ability to chug fifths of Jack Daniels in one draught is merely the highlight of a uniquely gonzo performance that even teetotalers had to enjoy. The presence of Karen Allen as the most fetching screen ingénue since Julie Harris in East Of Eden was also a notable introduction, though James Widdoes, Peter Riegert, Bruce McGill, Tim Matheson, the ubiquitous Kevin Bacon , and even DeWayne Jessie  have also enjoyed long careers as actors, directors, writers, and so forth.

The 1970s were full of movies that constituted cultural phenomena, what with The Exorcist, Jaws, The Omen, Star Wars, and Close Encounters Of The Third Kind all coming out in about a four-year span. One title that is usually overlooked probably because it didn't take itself remotely as seriously as these others but had every bit as much impact as any of those films, was National Lampoon's Animal House. Shot during late 1977 and early 1978 on a modest budget, Animal House proceeded to return many times its investment, and jump-started the careers of its director and most of its cast. College students who had too much energy and not enough outlets for it suddenly began organizing "toga parties"; interest in fraternities, which had been declining since the mid-'60s, suddenly spiked; and it was suddenly not only okay, but even expected, for college students to be goofy again. On the most superficial level, Animal House was no more profound than such collegiate comedies of an earlier era as Too Many Girls (1940), Good News (1947), or The Affairs Of Dobie Gillis (1953), and less serious than Apartment For Peggy (1948) or Mr.Belvedere Goes To College (1949). What it did do was take audiences back to that earlier era of college humor, add some sex in a carefully calculated manner, and put in just enough of a '70s consciousness so that audiences could laugh at the film, and at the idea of the film, and hold those late '50s/early '60s pop and R&B songs in their heads. The movie's impact and the nature of its acceptance can be measured by the fact that the only star to emerge from it was Belushi, his gonzo portrayal of "Bluto" Blutarsky marking a high-point in his big-screen career that he never again achieved. What's more, the movie's influence is still being felt today in every teen comedy by the Farrelly brothers, the Wayans brothers, and any of their rivals, most of whom emphasize gross-out humor to a degree that Animal House director Landis never would have considered. Ironically, amid the slapstick humor and outsized characterizations that filled the movie, Animal House had a very serious source of inspiration co-author Chris Miller did base some of the material on his experiences as an undergraduate at Dartmouth, but the authors also intended part of the plot as an allegory about the Nixon White House. The inspiration for Dean Wormer and the Omegas, and their activities undermining the Deltas, was President Richard Nixon and the "plumbers," his dirty-tricks squad, which directed their activities against Nixon's political enemies. And if you look closely at the portrayal of the dean by Vernon, and of Omega house leaders Greg Marmalard and Doug Neidermeyer by James Daughton and Mark Metcalf, respectively, it's easy to see similarities to Nixon, his aides H.R. Haldeman and John Erlichman, and their underlings. This doesn't make Animal House into All The President's Men and knowing it doesn't make the movie any more funny, though it may make it seem slightly more subversive, as well as more intelligent. Animal House is still best appreciated for what is seen onscreen some good jokes and sight gags and memorable characterizations, with Belushi's Bluto proving that "fat, drunk, and stupid" may not get you through life, but it is one way to get through seven years of college. The viewer does best to just sit back and echoing Stephen Furst's exclamation as all comic hell breaks loose at the denouement say to themselves, "Oh boy, is this great!"