Sky Captain is what having a good time at the movies is all about. It's funny and exciting, packed with the kind of gee-whiz awe that rarely makes it to the big screen. Refreshingly, it does so without one bit of camp or irony in its bones. Hearkening back to the sci-fi pulp of the '40s, the film's look is a living and breathing homage to everything from Max Fleisher's Superman cartoons to Flash Gordon serials. The visual world that director Conran and his production designer/brother Kevin meticulously realized is one where the imagination of yesteryear is translated through the help of modern technology into a magical place where big robots and jetpacks reign supreme. Though the groundbreaking painterly effects define Sky Captain's world, it's the characters who populate it that pull it all together. While Law and Paltrow don't exactly make movie duo legends, they revel in their cute banter and frankly do an extraordinary job interacting with sets that were never there. Too often supporting roles in adventure films are made to be broad comic fodder, but here Ribisi takes a subtle turn as the sidekick and it works, as does Jolie, whose tough British sneer chews up the screen charmingly well. On the downside, the characters don't exactly leave a lasting impression, as do most of the set pieces after the bravura first act still, Sky Captain is an impressive start out of the gate for first-timer Conran, who gets to live out his dream here, viscerally satisfying audiences in a way that even the Hollywood heavyweights have a hard time delivering these days. If this marks a beginning in how technology is figured into moviemaking, you would hope that people would not just look at how they made it, but why it was made in the first place.