The Sum Of All Fears (2002)

political thriller

directed by : Phil Alden Robinson
featuring : Ben Affleck - Morgan Freeman - James Cromwill - Liev Schreiber - Alan Bates
running time : 1 hour 58 minutes
The successful franchise of Paramount motion pictures based on novelist Tom Clancy's techno-thrillers featuring heroic CIA intelligence analyst Jack Ryan stages a much-publicized "do-over" with this action-adventure that recasts the character of Ryan as a rookie to the complex game of geopolitical warfare. Ben Affleck takes the reins from Harrison Ford as Ryan, a greenhorn CIA historian and analyst who finds himself thrust front and center into the spy community's spotlight when Nemerov (Ciaran Hinds), a Russian politician on whom Ryan is an expert, suddenly becomes the leader of the former Soviet Union upon the current president's unexpected demise. Attached to the director of the CIA, Cabot (Morgan Freeman), Ryan insists -- contrary to the opinions of many high-ranking White House officials -- that Nemerov is not a warmonger. Meanwhile, a cadre of neo-fascists, led by Dressler (Alan Bates), plots the detonation at the Super Bowl in Baltimore, MD, of a nuclear device recovered from a long-ago Israeli fighter jet crash, a terrorist incident they intend to spark a war between the super powers, leaving them to conquer the world in the conflict's post-apocalyptic vacuum. The Sum Of All Fears co-stars James Cromwell, Bridget Moynahan, and Liev Schreiber as covert operative John Clark, a character central to another series of Clancy's best-selling tomes.

A mostly successful effort to reboot Paramount's successful Clancy franchise of high-tech political thrillers, this elaborate action hit is surprisingly gripping and effective for most of its running time, only fumbling with a poorly developed villain and a few regrettable clichés in its final act. Quickly becoming the American version of James Bond, the Jack Ryan character is here interpreted by the third actor in only four films, but it's a welcome surprise that Affleck delivers his second good performance in the same year. Affleck revealed a new vulnerability and emotional depth that will be welcomed by fans preferring Alec Baldwin's slightly nerdy take on Ryan over Ford's more seasoned tough-guy version. The script's conceit of returning Ryan to his young analysis-drone roots works quite well, emphasizing the character's fish-out-of-water qualities and making him a better stand-in for audience identification -- as well as giving the veteran Freeman something to play against as Ryan's wily fox of a professional mentor. A sequence involving a terrorist nuclear explosion on American soil is handled well effects-wise, and tastefully, out of consideration for real-world events only months before. However, the placement of the climactic blast at the film's midpoint, rather than later in the narrative where it belongs, serves to deflate the remaining tension. Scenes depicting the president's dickering with advisors over whether or not to launch a retaliatory strike smack of overly familiar Cold War vintage dramas such as By Dawn's Early Light, and it doesn't help that Ryan ends up grappling with a beefy neo-Nazi in a darkened Baltimore warehouse, a beat more reminiscent of a typical Barnaby Jones episode than an expensive summer blockbuster. Speaking of Nazis, Bates as the film's proto-Hitler wannabe Dressler is never quite delineated clearly, showing up only occasionally to make demented fascist-apologist speeches and then disappearing for long stretches, his evil scheme never seeming realistic enough to create a palpable sense of dread. Nevertheless, the final payoff is satisfying and for most of the journey there, the filmmakers deliver the pulse-pounding goods, ensuring further Affleck-as-Ryan adventures will be in the offing.